Barn burner, axe, death growl, metalhead
On the art, temperament and ideology of the indexer
James Waddell
Freelance writer and early modernist. Winner of Benjamin Franklin House Literary Prize and Art Fund Writing Competition. Words in The Economist, Times Literary Supplement, 1843 magazine, etc.
Animals endowed with reason
A collection of correspondence revealing the surprisingly privileged lives of 18th-century Huguenots
How nightclubs and cabarets incubated radical art
From the 1880s to the 1960s, cosmopolitan hangouts helped foster the avant-garde
Jostling atoms
How to break down the structure of a book
The variegated symbolism of gardens in art
Rarely are they neutral spaces, as a new exhibition in Berlin shows
Republic of letters
The vast publishing output of the Netherlands in the seventeenth century
A new adaptation of “Small Island” tells Britons their nation’s story
“Small Island”—adapted from a novel by Andrea Levy that was published in 2004—unpicks the complex, vicious tangle of power relations between coloniser and colonised, insider and outsider
The personal trauma that lies behind Edvard Munch’s unnerving art
He was fascinated by psychology and haunted by mental collapse
An intriguing new adaptation of Chekhov’s “Three Sisters”
The risk of staging a play about ennui is the possibility of instilling the same feelings in the audience
The Elizabethan age in miniature
A new exhibition shows how two master miniaturists of the 16th century – Nicholas Hilliard and Isaac Oliver – captured their era
“Leave to Remain” considers love in a hostile environment
In a new musical, with songs by Kele Okereke, Brexit causes a relationship to change course
The economic sensibilities of “A Christmas Carol”
In his festive tale, released 175 years ago, Charles Dickens prescribed not Marxist revolution or Victorian beneficence but free trade and commerce
An adaptation of “White Teeth” shows how Britain has changed
Eighteen years after Zadie Smith’s debut novel was published, its multicultural optimism is a distant memory
A new play stages Darwin’s first inklings of scientific revolution
The Natural History Museum in London plays host to “The Wider Earth”, a play about its spiritual father
A new play restages the trials of Artemisia Gentileschi
“It’s True, It’s True, It’s True” is a timely and haunting play fashioned out of 17th-century court transcripts and art history
The hazards of updating classic texts
A scorned production of “Tartuffe”, set in modern Los Angeles, holds important lessons for directors
“Mood Music” lays bare the exploitative side of the music industry
In the shadow of the #MeToo movement, a new play dramatises the dark corners in a world of bright lights
Refugee Writers: Ghosts of the road, spectres at the feast
If the world’s 65.6m forcibly displaced people formed their own country, it would be the 21st-largest — smaller than Thailand, but bigger than France. One of the many things that this imaginary nation lacks, in comparison with others, is a literary canon.
A surreal take on the war in Syria
“Goats”, a new play, portrays a government scheme where slaughtered sons are replaced with domesticated beasts
“Albion” is a state-of-the-nation play for Brexit Britain
WHAT is the essential feature of an English country garden? An old oak tree, a bed of roses or a well-trimmed lawn? The country estate that provides the backdrop for “Albion”, Mike Bartlett’s new play, has them all
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